Who’s in charge here?
Nobody really. But, HEY! I’m Jen Miller. I’m an (music) artist + activist, and I founded Girl Gang Music. Growing up, I played soccer most minutes of the day, but ever since my life took a turn after a few knee injuries, I turned to music and people around me. Eventually, music, psychology, and politics have come to consume nearly all every brainwaves I have as of the moment I sit here typing this on Jan 1, 2017. The extremely shortened version of why I run this community is this: I’ve created a very unique career for myself, spanning industries from health care to venture capital to the music industry — because every industry I have worked in is male dominated.
After a few years in D.C. working as a strategic communications consultant (read: that’s mumbo jumbo for ghostwriting, branding, and communications for Fortune 500 companies, high growth start-ups, and non-profit organizations, as well as their executives), I had an “a-ha!” moment. No matter what industry fell into, there was always a discussion around gender disparity. And, in contrast, every industry seemingly had some think tank or group serving the marginalized groups and women in the industry… except in the music industry. In the music industry, we have big names like Adele, Beyonce, and Taylor Swift cleaning up at awards shows. But behind the scenes? There’s another routine playing out.
So, now I’m on a mission to build a Girl Gang of women + nonbinary people in the music industry who help each other for no reason at all.
When I first started playing live music at the age of eighteen, I realized something fast: as a woman in the room, I was there for someone’s consumption. How I acted, dressed, spoke, etc. did not change that. And a few gigs into one of my first tours with friends from Ohio, I realized I would have a routine at all my tour gigs. It looked like this:
I was asked who in the band I was f***ing. I was asked who actually writes the songs. I was propositioned for sex for masters. I was told my A&R that my image needed to be “sexier” or feel more like the “girl next door”.
None of these stories feel shocking any more after the number of discussions I’ve had with women with similar experiences.
This routine gets tiring for women in all industries. And it was, ultimately, the reason I paused touring and playing live music for awhile after I came to the consensus that the industry would ultimately make me unhappy if I was approaching it from a stage.
I was just too young to realize it wasn’t just the industry.
In an era where I feel truth must fought for harder than ever, let’s skip the part where we argue and go straight to the numbers. But, from where I’m standing, what I perceived as a young woman entering the music industry wasn’t far off:
- Less than 5% of the people creating the sounds, music and media in the daily soundtrack of our lives are women.
- There are so few women in music production, that no one has bothered to count.
- Thirty-two million people attend music festivals every year in the U.S. Over half (51%) of those attendees are women. But on stage, the demographics are very different. Women make 10% of the acts on the music festival circuit.
- Only 22.3% (46 total) of the 206 songs in the Top 40 were sung by women.
- In 2016, 37% of songs (76 total) had at least one woman credited for lyrics, and women made up just 10.8% (96) of the total number of songwriters used (886):
ALRIGHT, but why Girl Gang Music?
We’ve got a lot of work to do. Girl Gang Music is a curated community and network of women and non-binary humans within the music industry. We are songwriters, artists, producers, journalists, photographers, managers, agents, instrumentalists, and innovators within the industry.
The main thought behind the creation of GGM was that I’d be no where without people who help for no reason. And I want to convene more people who help others for no reason. This is a great place to do that.
Girl Gang Music’s mission is to promote female inclusion in all aspects of the industry, to celebrate women who are already thriving in music, and, ultimately, to develop a pipeline for girls and young women to confidently get involved in music through mentorship and community.
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